![]() ![]() ![]() ![]() Many of them are driven by disparate contrasts of mood, with inner episodes or codas that sublimate from curious circumstances. 37 Nº 2 in G – preserve a certain unity of Affekt throughout. 9 Nº 2 in E-flat, for example, and the euphonious Op. 48, Nº 2 in F-sharp minor, did not seem to make a fitting partner for performance for my purposes so I picked my other favorite nocturne, the early B major, to be the first in a set of two. The second of the two, the great C minor Nocturne, was the starting point. 48 Nº 1 – for performance in a recital program coming up in October. Recently I chose two Chopin nocturnes – Op. Practice/study notes for Chopin, Nocturnes Op. ![]()
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